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<p class="MsoNormal" align="center" style="text-align:center;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB" style="font-size:12pt;line-height:107%">Seeing colours in
paintings – what can we learn from vision science<span></span></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB"><span> </span></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">Workshop
25th September, 3 pm – 6 pm, AIC Lisbon 2018<span></span></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB"><a href="http://www.aic2018.org/workshops.html" style="color:rgb(5,99,193);text-decoration:underline"><span>http://www.aic2018.org/workshops.html</span></a></span><span lang="EN-GB"><span></span></span></p>
<p class="MsoNormal" align="center" style="text-align:center;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">Organizers:
Sérgio Nascimento & Anya Hurlbert<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB"><span> </span></span></p>
<p class="MsoNormal" style="text-align:justify;margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Vision scientists have always had
much to learn from visual art. Understanding why artists deploy particular
configurations of colour and form and how particular paintings elicit aesthetic
and cognitive responses gives valuable insight into how human vision works. Recently,
precise quantitative studies of colours in paintings have revealed regularities
that may have implications for their perceived beauty. Empirical studies have
also shown that the spectral and spatial properties of lighting on paintings affects
their aesthetic and emotional impact. This workshop will bring together vision
scientists and museum specialists to discuss these issues and how their knowledge
may be used to improve the viewer’s experience of art. <span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">1. Colours of paintings – what
and how important are they?<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Sérgio
Nascimento, University of Minho, Portugal <span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB"><span> </span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">2. How illumination colour in
and on paintings influences their interpretation<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Anya Hurlbert,
Newcastle University, England, United Kingdom<span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">3. Natural
expectations when looking at colour in art </span></b><span lang="EN-GB"><span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-align:justify;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Christoph Witzel, Justus-Liebig Universität Giessen, Abteilung
Allgemeine Psychologie, Giessen, Germany<span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB"><span> </span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">4. High quality art
illumination at Vatican Museums<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Mourad
Boulouednine, Osram <span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">5. Painting by numbers,
Methodical colour application in early modern painting<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB">Lisa
Wiersma, Utrecht University<span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB"><span> </span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="EN-GB">6. Colour in medieval architecture
and sculpture<span></span></span></b></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black">Jorge Rodrigues, Fundação
Calouste Gulbenkian<span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black"><span> </span></span></p>
<p class="MsoNormal" style="margin:0in 0in 0.0001pt;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black"><span> </span></span></p>
<p class="MsoNormal" align="center" style="margin:0in 0in 0.0001pt;text-align:center;line-height:normal;font-size:11pt;font-family:Calibri,sans-serif"><span lang="EN-GB" style="color:black">-----------------------<span></span></span></p>
<p class="MsoNormal" style="margin:0in 0in 8pt;line-height:107%;font-size:11pt;font-family:Calibri,sans-serif"><b><span lang="PT">Location: Building 5 – Room 5.0.11,
Faculdade de Arquitectura da ULisboa, Pólo Universitário da Ajuda, Rua Sá
Nogueira, 1349‐063 Lisboa<span></span></span></b></p>
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